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![]() Susan Williams-Ellis receives Honorary DegreeIn 1990 Portmeirion Potteries received The Queen's Award for Export.Today, having survived three major recessions and countless shifts in consumer taste and style, Portmeirion still flourishes. With sales outlets in over 34 countries, the company's largest single market is in the USA, with sales exceeding $20 million. A British success story, Portmeirion's prosperity is largely due to the vision and commitment of its designer and co-founder, Susan Williams-Ellis.Now one of the UK's most respected companies, the origins of Portmeirion Potteries were more humble. Susan, with her husband, Euan, set up business in 1953, when they took over a souvenir shop in the Welsh village of Portmeirion. Despite the unique architectural status of the village, created by Susan's father, Sir Clough Williams-Ellis, the souvenir shop was making a loss. In just eight years Susan's shop had grown enormously; she and her husband were managers of the Village and a second Portmeirion shop had opened in one of London's smartest shopping areas, Pont Street. Working on Sir Clough's principle that 'good design is good business' the couple transformed two broken-down potteries in Stoke-on-Trent into one of the country's most affluent pottery companies. In an era when the idea of the 'working woman' was an anathema, the entrepreneurial success of Susan Williams-Ellis, as a designer and a businesswoman (as well as wife and mother) was unprecedented. Born in the house of British art critic Roger Fry, Susan's family had strong links with many of the stars of early twentieth century art and design. As her father was an eminent architect, her parents were at the epicentre of the Bloomsbury set, with an array of friends including Frank Lloyd-Wright, Lytton Strachey, Augustus John and Virginia Woolf. With such company it was not surprising that Susan was determined to be an artist from an early age. She studied ceramics with Bernard and David Leach at Dartington, then at Chelsea Art School her tutors included Graham Sutherland for painting and Henry Moore for Sculpture, who helped to develop Susan's innate feeling for three dimensional shape and form, which she translated into seminal ceramic designs such as Totem, Samarkind, Magic City and the world-famous Botanic Garden. Susan's Acceptance Speech First I have to apologise to the members of Keele University for my inability to acknowledge in person the great honour that is being bestowed on me today. This is the result of a tiresome accident.
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